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He looked at the beaming faces, at the beautiful table with Jean’s great pagoda cake in the centre, the dates, 1893-1906, in evergreen; at the flowers everywhere; at the dishes,—they usually ate from vine leaves at their out-of-door feasts,—at the paper napkins folded fantastically and hovering over the table like gay butterflies. His eloquent face told his surprise, his gratitude, his delight. He opened his mouth to speak some fitting word, but it wouldn’t come. He tried again, for he felt the occasion called for something formally appreciative. But only a whimsical idea flitted into his mind; and he sang back— Billy cuddled down in the low-growing manzanitas, whose screen was further thickened by a tangle of wild pea vines all a-bloom. Placing himself so that he could watch both the house and the man on the hill, he settled to await further disclosures. As that energetic lady bustled about the kitchen the same evening setting the bread, her voice rose in a series of trills and other embellishments as she sang “Where is my wanderin’ boy to-night?”.
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Conrad
Billy heard the hatted one say “So long!” saw him start down a path that followed close beside the stream, perfectly hidden from any one who might be walking the crests above. The other man brought a pail and started up the hill. “This is excitin’ fun,” moaned Moses, as he picked his way carefully with a tin elbow that threatened every moment to capsize with its flaky mass of black dust, “about as excitin’ as playin’ with the ashes in the mornin’.” The dance was held in a new barn of which the floor was especially good. Indeed the young people of the family had seen to that. Unfortunately the stable end of the building was already in use and this proved to be somewhat inconvenient. During the festivities of the evening one delicate lady fainted from excitement and overpowering stable odors. She speedily revived, however, on being carried into the fresh air and soused with a bucket of cold water. The building was illuminated with lanterns and an occasional oil lamp. Benches were ranged along the walls. The crowd was large and as usual at these affairs men predominated in numbers. The dances were mostly square ones and when a husky caller-off became hoarse and exhausted with shouting, another took his place. He usually stood at one end of the building beside the fiddler. “I like Sunday School best ’cause I do things there.”.
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